L to R: Brianna Barnhart, Dan Marino, Clare Demer, Joseph Gouge, Emily Garcia, Kristen Fabry, Antonio Cruz, Taylor Trolia-Giron (photo by Leo Belardinelli)
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- Brianna Barnhart, soprano: Les oiseaux dans la charmille, from Les contes d’Hoffmann, by Jacques Offenbach (1819–1880)
Olympia, a mechanical doll, sings an aria that enchants Hoffmann, despite her needing to be wound up along the way. - Dan Marino, tenor: A tenor, all singers above, from Utopia, Limited, by Arthur Sullivan (1842–1900)
Captain Fitzbattleaxe tells his love, Zara, that his passion is adversely affecting his singing voice. -
Clare Demer, soprano: O quante volte, from I Capuleti ed i Montecchi, by Vincenzo Bellini (1801–1835)
Juliet expresses her longing for Romeo.
- Joseph Gouge, tenor: Vainement ma bien-aimee, from Le roi d’Ys, by Edouard Lalo (1823–1892)
Mylio, a young warrior, tries to convince his fiancée to join him in the wedding procession. - Emily Garcia, soprano: Ach ich fühl’s, from Die Zauberflöte, by W. A. Mozart (1756–1791)
Pamina fears that the absent Tamino does not love her. - Kristen Fabry, mezzo-soprano: En vain pour éviter,from Carmen, by Georges Bizet (1838–1875)
In the cards Carmen foresees death for both her and José. -
(tie) Antonio Cruz, baritone: Come Paride vezzoso, from L’elisir d’amore, by Gaetano Donizetti (1797–1848).
Sgt. Belcore is confident of success as he woos Adina, since no girl can resist the sight of a military uniform.
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(tie) Taylor Trolia-Giron, soprano: Mi chiamano Mimì, from La bohème, by Giacomo Puccini (1858–1924).
Mimì describes her life as an embroidress in her tiny room overlooking the rooftops of Paris.