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Home » 2017 Quest for the Best Graduate Arias

2017 Quest for the Best Graduate Arias

July 16, 2017 by Frank Finkenberg

2017 Quest for the Best Graduate Singers

L to R: Ariana Iniguez, Samantha Hornback, Piper Pack-Smith, Michelle Perrier, Jamey Wright, Mark Hockenberry, Kristen Lucas, Abigail Hart, Soleil Oliva. (photo by Leo Belardinelli)

Graduate HD Videos

Go to Graduate Audio Files

  1. First Place ribbon

    Ariana Iniguez, soprano: Carceleras, from Las hijas del Zebedeo, by Ruperto Chapí (1851–1909).

    This lyric love song (romanza) has been a favorite of sopranos and mezzos, both Spanish and foreign.

  2. Samantha Hornback, soprano : O luce di quest’anima, from Linda di Chamounix, by Gaetano Donizetti (1797–1848).

    Linda sings of her love for Carlo, the “light of her soul.”

  3. Piper Pack-Smith, mezzo-soprano : Re dell’abisso, affrettati, from Un ballo in maschera, by Giuseppi Verdi (1813–1901).

    The fortune-teller Ulrica calls upon the King of the Abyss to give her the power to see the future.

    Note: Video and audio recordings of this aria have been removed at the singer’s request.

  4. Second Place ribbon

    Michelle Perrier, soprano: Guilleaume Walzer, from Zehn Mädchen und kein Mann, by Franz von Suppé (1819–1895).

  5. Jamey Wright, soprano : Ach, ich fühl’s, from Die Zauberflöte, by W. A. Mozart (1756–1791).

    Pamina fears that the absent Tamino does not love her.

  6. Third Place ribbon

    (tie) Mark Hockenberry, baritone: Votre toast, je peux vous le rendre, from Carmen, by Georges Bizet (1838–1875).

    In the famous Toreador Song, Escamillo conveys the excitement of the bull ring and the reward—love!

  7. Third Place ribbon

    (tie) Kristen Lucas, soprano: Glitter and Be Gay, from Candide, by Leonard Bernstein (1918-1990).

    Cunegonde is surviving as a courtesan. She assuages her guilt and shame by reveling in her luxurious lifestyle.

  8. Abigail Hart, soprano : Ah! Je veux vivre, from Roméo et Juliette, by Charles Gounod (1818–1893).

    When others speak of marriage, Juliet sings that she prefers to live inside her dream, in eternal spring.

  9. Soleil Oliva, soprano: Klänge der Heimat, from Die Fledermaus, by Johann Strauss II (1825–1899).

    Rosalinda, disguised as a Hungarian countess, sings a rousing csárdás to prove her nationality.

2017 Graduate Audio Files

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